When I next pick up the “How to Write a Romance Novel” thread, I’ll speak about research, but it’s that time of year that requires introspection and resolution. Except I don’t make resolutions. I love new beginnings and making plans, but the contrary in me refuses to do so at this time of year. I’d rather look back on some dates. Like February, when I acquired a new agent, or April, when I sold my series. Those dates mean more to me. And I have dates to look forward to. I have to finish the third book in the TIME OF TRANSITION series, tentatively titled TOIL AND TROUBLE. I have new proposals to write and new novels to finish. I’m attending RWA national in July this year, and I’m still thinking about attending RT at the end of April and RomCon in Denver in July. Most of all I’m looking forward to May 2010 when THE WISH LIST comes out.
January 5 is another date I celebrate. It’s my 25th wedding anniversary. Yes, I do have a family and apparently a husband who still loves me. We are a team, Bob and I; he pulls me back to earth when I am in danger of getting lost in my emotions and imagination, and I make him fly when he’s too focused on work. I don’t like to talk about my family here, but this time I think it deserves some attention. I certainly don’t feel as if I’ve been married to the man that long. We have too much fun together, and I am not that old. OK, maybe I am, but I don’t think it, and it’s largely because Bob keeps me young.
The holidays are over, and the new year is coming. It’s just a date and a number--fairly arbitrary if you ask me. But I love the holiday season: time off from the day job, my family is home, and I am grateful for so many things this year. So instead of resolutions, I’d rather just bask in family, enjoy where I am in life, be grateful for the having the joy of writing. I hope you can bask in your life too.
--Gabi
Books I’m reading now:
Blue Smoke by Nora Roberts
Not Quite a Husband by Sherry Thomas
Water for Elephants by Sara Gruen
Spirited Brides by Amanda MacCabe
Wednesday, December 30, 2009
Friday, December 11, 2009
Agent appreciation day
A fellow writer told me about this day, and I thought it was fantastic. OK, Jen K Blom is also a client of my agent, but, nevertheless, I am ready to gush.
Marlene Stringer is wonderful. She is never too busy for her clients. She answers my questions and responds to my e-mails promptly and with great wisdom. I can bounce ideas off her, get as much or little support from her as I wish, and I trust her. Trust her to tell me if my work isn’t good, and trust her to tell me if it is.
I went through a long drought with my writing. Oh, I was writing, but I wasn’t selling. My confidence was low to the point of non-existence. I had won or finaled in contests in the meantime, but I had no confidence left in my writing.
The day Marlene e-mailed me, I burst into tears. After I talked to her, I was even happier. Here was an agent who knew the business, understood authors, and who wanted me as a client.
Well, she sold my novel (THE WISH LIST, May 2010) and two more a month after we had submitted it. I know it’s about the work and whether the editor likes the submission, Marlene added her insight to my novel and knew which editors to submit to.
I still have major doubts about my writing (a drought will do that to you), but knowing I have a champion in my corner helps me lift those doubts and think that maybe, just maybe, I can write.
So I thank Marlene Stringer of the Stringer Literary Agency for giving me back my confidence and giving me the strength to face this fickle business. It would have broken my heart to quit because I can’t imagine doing anything that would satisfy me more than writing.
--Gabi
Books I’m reading now:
The Temptation of the Night Jasmine by Lauren Willig
Marlene Stringer is wonderful. She is never too busy for her clients. She answers my questions and responds to my e-mails promptly and with great wisdom. I can bounce ideas off her, get as much or little support from her as I wish, and I trust her. Trust her to tell me if my work isn’t good, and trust her to tell me if it is.
I went through a long drought with my writing. Oh, I was writing, but I wasn’t selling. My confidence was low to the point of non-existence. I had won or finaled in contests in the meantime, but I had no confidence left in my writing.
The day Marlene e-mailed me, I burst into tears. After I talked to her, I was even happier. Here was an agent who knew the business, understood authors, and who wanted me as a client.
Well, she sold my novel (THE WISH LIST, May 2010) and two more a month after we had submitted it. I know it’s about the work and whether the editor likes the submission, Marlene added her insight to my novel and knew which editors to submit to.
I still have major doubts about my writing (a drought will do that to you), but knowing I have a champion in my corner helps me lift those doubts and think that maybe, just maybe, I can write.
So I thank Marlene Stringer of the Stringer Literary Agency for giving me back my confidence and giving me the strength to face this fickle business. It would have broken my heart to quit because I can’t imagine doing anything that would satisfy me more than writing.
--Gabi
Books I’m reading now:
The Temptation of the Night Jasmine by Lauren Willig
Saturday, December 5, 2009
How to Write a Romance Novel--Style
What to say about style…hmmm.
Style has everything to do with writing ability, grammar skills, mechanics, and voice. This is the part where you groan and say, “Grammar? Isn’t that what I have a copy editor for?”
Uh, no.
Style requires work, study, and instinct. Style is the part of writing that is the hardest to define. If’ you’ve ever judged a contest, you’ve probably run across entries that are perfect but missing that spark that makes you settle into the story with pleasure. Or you’ve seen entries that have great voice, but you can’t read it with without wincing because of grammatical errors.
Literary devices and tools are a part of style. Metaphors, similes, satire, irony, imagery, word choice are all tools that can elevate your writing from ordinary to extraordinary. We’ve all run across sentences that take our breath away (My husband calls these "gems".) Words that move you, words you remember. Like this one:
“That’s what I love about books: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another but there will lead you onto a third book. It’s geometrically progressive--all with no end in sight, and for no other reason than sheer enjoyment” (The Guernsey Literary and Potato Peel Pie Society; uses repetition.).
Or this one:
“Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here” (The Secret Life of Bees, a book I didn’t really love, but I’ve never forgotten the line).
Learning to use literary devices will lift your book with rich language and unforgettable sentences.
Grammar and mechanics are probably the easiest thing to fix. Even if you don’t remember a thing from high school (or earlier), you can find so many good grammar books to teach you what you need to know. So why is this important? How can it not be? How can you claim to be a writer if you don’t know the language? OK, maybe that’s harsh, but mastery of language allows you to play with language to achieve effects that will make your writing pop. Look at the following poem: Hazel tells Laverne. The author could not achieve the humor or the sadness without breaking grammar and mechanics rules. Besides, knowing these rules shows you care about your product.
Now look at your voice. Do you write a light-hearted novel? Are you into the deep and dark side of human nature? Do you use curse words? Big words? I believe voice is one of the hardest aspects to master. Can’t you recognize your favorite authors by the way they write? If you pick up a Jayne Ann Krentz novel, it reads like a Jayne Ann Krentz novel no matter which name she’s writing under. Susan Elizabeth Phillips writes like Susan Elizabeth Phillips. Find your voice if you haven’t already.
Finally, the most important tip I have for you about style: Read Strunk and White’s Elements of Style. This slim volume teaches you everything you need to know about style. I re-read it every year. Yeah, I have friends (you know who you are) who haven’t made it through the book, but I find it highly readable, succinct, and informative. Every serious writer should own this book and study it. (Yes, I realize that is an opinion, but this is my blog, so I’m allowed to state my opinion.)
Keep on writing.
--Gabi
Books I’m reading now:
The Hunger Games by Suzanne Collins
Catching Fire by Suzanne Collins
The Duke Most Wanted by Celeste Bradley
The Temptation of the Night Jasmine by Lauren Willig
Style has everything to do with writing ability, grammar skills, mechanics, and voice. This is the part where you groan and say, “Grammar? Isn’t that what I have a copy editor for?”
Uh, no.
Style requires work, study, and instinct. Style is the part of writing that is the hardest to define. If’ you’ve ever judged a contest, you’ve probably run across entries that are perfect but missing that spark that makes you settle into the story with pleasure. Or you’ve seen entries that have great voice, but you can’t read it with without wincing because of grammatical errors.
Literary devices and tools are a part of style. Metaphors, similes, satire, irony, imagery, word choice are all tools that can elevate your writing from ordinary to extraordinary. We’ve all run across sentences that take our breath away (My husband calls these "gems".) Words that move you, words you remember. Like this one:
“That’s what I love about books: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another but there will lead you onto a third book. It’s geometrically progressive--all with no end in sight, and for no other reason than sheer enjoyment” (The Guernsey Literary and Potato Peel Pie Society; uses repetition.).
Or this one:
“Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here” (The Secret Life of Bees, a book I didn’t really love, but I’ve never forgotten the line).
Learning to use literary devices will lift your book with rich language and unforgettable sentences.
Grammar and mechanics are probably the easiest thing to fix. Even if you don’t remember a thing from high school (or earlier), you can find so many good grammar books to teach you what you need to know. So why is this important? How can it not be? How can you claim to be a writer if you don’t know the language? OK, maybe that’s harsh, but mastery of language allows you to play with language to achieve effects that will make your writing pop. Look at the following poem: Hazel tells Laverne. The author could not achieve the humor or the sadness without breaking grammar and mechanics rules. Besides, knowing these rules shows you care about your product.
Now look at your voice. Do you write a light-hearted novel? Are you into the deep and dark side of human nature? Do you use curse words? Big words? I believe voice is one of the hardest aspects to master. Can’t you recognize your favorite authors by the way they write? If you pick up a Jayne Ann Krentz novel, it reads like a Jayne Ann Krentz novel no matter which name she’s writing under. Susan Elizabeth Phillips writes like Susan Elizabeth Phillips. Find your voice if you haven’t already.
Finally, the most important tip I have for you about style: Read Strunk and White’s Elements of Style. This slim volume teaches you everything you need to know about style. I re-read it every year. Yeah, I have friends (you know who you are) who haven’t made it through the book, but I find it highly readable, succinct, and informative. Every serious writer should own this book and study it. (Yes, I realize that is an opinion, but this is my blog, so I’m allowed to state my opinion.)
Keep on writing.
--Gabi
Books I’m reading now:
The Hunger Games by Suzanne Collins
Catching Fire by Suzanne Collins
The Duke Most Wanted by Celeste Bradley
The Temptation of the Night Jasmine by Lauren Willig
Sunday, November 22, 2009
How to Write a Romance Novel--Theme
Theme is my favorite aspect of a novel to think about. I honestly believe that all novels have themes. They might be simple ideas, but themes nonetheless. No matter how “fluffy” or shallow a book may seem, it will have a theme. So what is a theme? It’s the underlying message, the moral if you will, of the story. It’s the reason the author wrote the book, even if she didn’t know she was doing it.
All the events, plot, characters, conflict, POV, etc., feed into the theme. Look at what the author wrote about-- the topics--and what she says about those topics, and you will find the theme. Is she writing about family dynamics? War? Running a business? Running a kingdom? How does the story turn out? The way the plot resolves will give you the clues to find theme.
A theme is a universal idea that the author holds to be true. Most novels have several themes. Short stories may only have one. Poems can have themes, as can songs, photos, paintings, series, dance, etc. It will be stated in universal terms, not in terms of the plot of the particular story. Often they can be stated in proverbs or clichés: beauty is in the eye of the beholder; the ends justify the means; love conquers all; war is hell. It can be stated as a sentence: doing the right thing is often difficult; just because you can doesn’t mean you should; with great power comes great responsibility. It is the idea that the author wants to share with you, the idea that she believes you should also believe.
In the movie “Second Hand Lions,” which if you haven’t seen you should, there is a beautiful scene where Robert Duvall gives Haley Joel Osment part of the speech he gives to all young men. In it the character gives his beliefs and rules of life. Great speech by the way. Within this speech is the theme of the movie, and it isn’t that you should get rich, have adventures, and buy a second hand lion. The theme should never be couched in terms of the plot. The theme is bigger than the plot.
For example, in my next release, THE WISH LIST, I have several themes, ideas that I believe in my worldview. The story is about a CPA in San Diego who finds out she’s next in line to a fairy godmother, and with the onset of her powers, her simple life disappears. One of the themes in my novel is that all gifts have a cost. One might think that suddenly having magic powers would make life easier, but instead she realizes that her new magical gifts come with a responsibility that she never anticipated. But in my own life, I’ve found that gifts do come with a cost. The cost might be minimal--a simple thank you--but more often a gift comes with higher costs. The imagination I have to tell stories, which I consider a gift, also can make me jump to conclusions, or make me incapable of paying attention at times (I go off on tangents too easily--off dreaming somewhere). Another theme of THE WISH LIST is that all decisions have consequences. And also “with great power comes great responsibility.”
Notice that I haven’t used plot to describe any of my themes. I haven’t said, “using a wand can cause trouble.” Plot is not theme. You’re looking for the deeper sense of the story. Harry Potter’s theme is not “a boy wizard fights evil.” That’s plot, not theme. One theme of Harry Potter is “sometimes you have to fight evil, even when you know it will be difficult.” (Dumbledore actually says something like this in the book.) Other Harry Potter themes: sometimes an unlikely hero is the best; friends and family are the greatest treasures; sometimes what’s on the surface doesn’t reveal the true contents; sacrifice can be painful; be true to yourself.
One of the fun ways to find theme is to look for quotes from your novel that stick out, lines that you love. So here are some quotes from my novel:
And in that mix of emotions that swirled through Kristin--the shock, the disbelief, the exasperation--there was a spark of hope, a wish that it all was true. (Sometimes the impossible is possible, never give up hope)
Her wand wasn’t alive exactly, but it seemed to read her thoughts. When her magic wasn’t working, it lay cold and stiff in her hands, but when things were going right, it seemed supple and warm and a graceful extension of her body. And at times, like now, it reminded her of the burden she had inherited. (Every gift has a price)
Tears filled her eyes. “I’ve turned you into a criminal.”
“No, just a rogue.” He grinned at her.
“Count us in as well. We’re rogues too,” said Hyacinth.
“Now have a sandwich, dear.” Rose passed her a sandwich. “Here try this one. It’s turkey and Swiss. Your favorite.”(Sometimes doing the right thing requires breaking the rules.)
So look for your theme. Realize that romances will have a theme and while you will produce one, you don’t have to write specifically toward your theme. Although you can. By the way, the theme for a romance usually isn’t “love is a many splendored thing.”
--Gabi
Books I’m reading now:
The Innocent Mage by Karen Miller
The Awakened Mage by Karen Miller
Vision in White by Nora Roberts
Bed of Roses by Nora Roberts
All the events, plot, characters, conflict, POV, etc., feed into the theme. Look at what the author wrote about-- the topics--and what she says about those topics, and you will find the theme. Is she writing about family dynamics? War? Running a business? Running a kingdom? How does the story turn out? The way the plot resolves will give you the clues to find theme.
A theme is a universal idea that the author holds to be true. Most novels have several themes. Short stories may only have one. Poems can have themes, as can songs, photos, paintings, series, dance, etc. It will be stated in universal terms, not in terms of the plot of the particular story. Often they can be stated in proverbs or clichés: beauty is in the eye of the beholder; the ends justify the means; love conquers all; war is hell. It can be stated as a sentence: doing the right thing is often difficult; just because you can doesn’t mean you should; with great power comes great responsibility. It is the idea that the author wants to share with you, the idea that she believes you should also believe.
In the movie “Second Hand Lions,” which if you haven’t seen you should, there is a beautiful scene where Robert Duvall gives Haley Joel Osment part of the speech he gives to all young men. In it the character gives his beliefs and rules of life. Great speech by the way. Within this speech is the theme of the movie, and it isn’t that you should get rich, have adventures, and buy a second hand lion. The theme should never be couched in terms of the plot. The theme is bigger than the plot.
For example, in my next release, THE WISH LIST, I have several themes, ideas that I believe in my worldview. The story is about a CPA in San Diego who finds out she’s next in line to a fairy godmother, and with the onset of her powers, her simple life disappears. One of the themes in my novel is that all gifts have a cost. One might think that suddenly having magic powers would make life easier, but instead she realizes that her new magical gifts come with a responsibility that she never anticipated. But in my own life, I’ve found that gifts do come with a cost. The cost might be minimal--a simple thank you--but more often a gift comes with higher costs. The imagination I have to tell stories, which I consider a gift, also can make me jump to conclusions, or make me incapable of paying attention at times (I go off on tangents too easily--off dreaming somewhere). Another theme of THE WISH LIST is that all decisions have consequences. And also “with great power comes great responsibility.”
Notice that I haven’t used plot to describe any of my themes. I haven’t said, “using a wand can cause trouble.” Plot is not theme. You’re looking for the deeper sense of the story. Harry Potter’s theme is not “a boy wizard fights evil.” That’s plot, not theme. One theme of Harry Potter is “sometimes you have to fight evil, even when you know it will be difficult.” (Dumbledore actually says something like this in the book.) Other Harry Potter themes: sometimes an unlikely hero is the best; friends and family are the greatest treasures; sometimes what’s on the surface doesn’t reveal the true contents; sacrifice can be painful; be true to yourself.
One of the fun ways to find theme is to look for quotes from your novel that stick out, lines that you love. So here are some quotes from my novel:
And in that mix of emotions that swirled through Kristin--the shock, the disbelief, the exasperation--there was a spark of hope, a wish that it all was true. (Sometimes the impossible is possible, never give up hope)
Her wand wasn’t alive exactly, but it seemed to read her thoughts. When her magic wasn’t working, it lay cold and stiff in her hands, but when things were going right, it seemed supple and warm and a graceful extension of her body. And at times, like now, it reminded her of the burden she had inherited. (Every gift has a price)
Tears filled her eyes. “I’ve turned you into a criminal.”
“No, just a rogue.” He grinned at her.
“Count us in as well. We’re rogues too,” said Hyacinth.
“Now have a sandwich, dear.” Rose passed her a sandwich. “Here try this one. It’s turkey and Swiss. Your favorite.”(Sometimes doing the right thing requires breaking the rules.)
So look for your theme. Realize that romances will have a theme and while you will produce one, you don’t have to write specifically toward your theme. Although you can. By the way, the theme for a romance usually isn’t “love is a many splendored thing.”
--Gabi
Books I’m reading now:
The Innocent Mage by Karen Miller
The Awakened Mage by Karen Miller
Vision in White by Nora Roberts
Bed of Roses by Nora Roberts
Friday, November 6, 2009
I Have a Cover!!!
It's here. I have a cover for THE WISH LIST (Tor books, May 2010). I'm so excited.
--Gabi
Inspiration
Wow. All I can say is wow.
May we all experience somehing like this someday.
--Gabi
Books I'm reading now:
The Guernsey Literary and Potato Peel Pie Society by by Mary Ann Shaffer and Annie Barrows
May we all experience somehing like this someday.
--Gabi
Books I'm reading now:
The Guernsey Literary and Potato Peel Pie Society by by Mary Ann Shaffer and Annie Barrows
Sunday, November 1, 2009
Exceptions
I read The Guide to Literary Agents Editor’s Blog by Chuck Sambuchino today. It was an older post (September 27,2009) on word count. I am neither confused on word count, nor am I looking for a new agent (Love the one I have, thank you very much). But I often like to read the thoughts of publishing professionals on various topics just to learn or get exposed to a different perspective. Mr. Sambuchino said two things that absolutely resonated with me.
The first: “The most important thing here is to realize that there are always exceptions to these rules. And man, people love to point out exceptions - and they always will.”
He of course is talking about writing rules. I love rules--grammar rules, rules of etiquette, rules of writing, rules of behavior, etc. Rules make life easy in a way--you don’t have to think for yourself; you can just do what is expected of you. Do I follow all rules? Not always. I like to think for myself, judge for myself if a rule is fitting or moral or right, but I understand the need for rules and I also understand the need to know the rules. Writing rules exist not because the author isn’t creative enough to produce something without them, but because when a reader picks up a book, the reader has expectations. If a writer refuses to meet those expectations, the writer will be unsuccessful. Breaking those rules comes with a risk, and if a writer breaks those rules, he/she had better know why he/she did so. To break a writing rule, you must understand it first.
Are there exceptions? Of course, but you can’t bank on being an exception. It always surprises me, for example, when I meet an author who doesn’t think that knowing grammar is an essential skill for writing a book. You do. Or when a writer believes that they can include anything in a story (or not change elements, or refuse to listen to critique--not critics, mind you, but critique from editors or agents or trusted readers--and no, I am not arguing in favor of critique groups) because it is their vision and their vision is art and therefore perfect.
The exception gets talked about BECAUSE he/she is an exception. If I tell my students that smoking is bad for them, one will invariably pop up with “Well, my grandfather smoked every day, and he lived to be 95.” Right. He is the exception. We talk about shark attacks and plane crashes because they are the exception. We don’t talk about the millions (yes, millions) who travel each year on an airplane without incident, or the millions (yes, millions) who swim in the ocean and emerge without a nibbled toe. But people will point out the exception and then expect that they too are the exception.
Which leads me to the second quote: “And since most writers haven't earned oodles, they need to stick to the rules and make sure they work gets read. The other thing that will make you an exception is if your writing is absolutely brilliant. But let's face it. Most of our work does not classify as ‘absolutely brilliant’ or we'd all have 16 novels at this point.”
As much I would like to believe I am an extraordinary writer, we have yet to see if my sales record will support that claim. Do I write well? Absolutely. Do I tell a good story? Definitely. Am I brilliant? Of course…in spots. Sometimes my writing blows me away, and then if I look at it again, I see areas I can improve in. Will I be the next big star? God, I hope so, but looking at facts realistically, I write a good book that people can enjoy (yes, I have been told as much). I love the books I write, and I hope to sell enough to establish a career, but to paraphrase Mr. Sambuchino, if most of my work classified as ‘absolutely brilliant’, I’d have 16 novels at this point.
Am I special? You bet your life. There aren’t many who have had a book published, and I number among them. Sometimes that has to be enough.
Next time I’ll talk about Theme and its role in the romance novel. I love the topic of Theme.
--Gabi
The website for the blog is:
http://www.guidetoliteraryagents.com/blog/Word+Count+For+Novels+And+Childrens+Books+The+Definitive+Post.aspx
Books I’m reading now:
An Affair before Christmas by Eloisa James
A Lady of Persuasion by Tessa Dare
How to Engage an Earl by Kathryn Caskie
Sin and Scandal in England by Melody Thomas
The first: “The most important thing here is to realize that there are always exceptions to these rules. And man, people love to point out exceptions - and they always will.”
He of course is talking about writing rules. I love rules--grammar rules, rules of etiquette, rules of writing, rules of behavior, etc. Rules make life easy in a way--you don’t have to think for yourself; you can just do what is expected of you. Do I follow all rules? Not always. I like to think for myself, judge for myself if a rule is fitting or moral or right, but I understand the need for rules and I also understand the need to know the rules. Writing rules exist not because the author isn’t creative enough to produce something without them, but because when a reader picks up a book, the reader has expectations. If a writer refuses to meet those expectations, the writer will be unsuccessful. Breaking those rules comes with a risk, and if a writer breaks those rules, he/she had better know why he/she did so. To break a writing rule, you must understand it first.
Are there exceptions? Of course, but you can’t bank on being an exception. It always surprises me, for example, when I meet an author who doesn’t think that knowing grammar is an essential skill for writing a book. You do. Or when a writer believes that they can include anything in a story (or not change elements, or refuse to listen to critique--not critics, mind you, but critique from editors or agents or trusted readers--and no, I am not arguing in favor of critique groups) because it is their vision and their vision is art and therefore perfect.
The exception gets talked about BECAUSE he/she is an exception. If I tell my students that smoking is bad for them, one will invariably pop up with “Well, my grandfather smoked every day, and he lived to be 95.” Right. He is the exception. We talk about shark attacks and plane crashes because they are the exception. We don’t talk about the millions (yes, millions) who travel each year on an airplane without incident, or the millions (yes, millions) who swim in the ocean and emerge without a nibbled toe. But people will point out the exception and then expect that they too are the exception.
Which leads me to the second quote: “And since most writers haven't earned oodles, they need to stick to the rules and make sure they work gets read. The other thing that will make you an exception is if your writing is absolutely brilliant. But let's face it. Most of our work does not classify as ‘absolutely brilliant’ or we'd all have 16 novels at this point.”
As much I would like to believe I am an extraordinary writer, we have yet to see if my sales record will support that claim. Do I write well? Absolutely. Do I tell a good story? Definitely. Am I brilliant? Of course…in spots. Sometimes my writing blows me away, and then if I look at it again, I see areas I can improve in. Will I be the next big star? God, I hope so, but looking at facts realistically, I write a good book that people can enjoy (yes, I have been told as much). I love the books I write, and I hope to sell enough to establish a career, but to paraphrase Mr. Sambuchino, if most of my work classified as ‘absolutely brilliant’, I’d have 16 novels at this point.
Am I special? You bet your life. There aren’t many who have had a book published, and I number among them. Sometimes that has to be enough.
Next time I’ll talk about Theme and its role in the romance novel. I love the topic of Theme.
--Gabi
The website for the blog is:
http://www.guidetoliteraryagents.com/blog/Word+Count+For+Novels+And+Childrens+Books+The+Definitive+Post.aspx
Books I’m reading now:
An Affair before Christmas by Eloisa James
A Lady of Persuasion by Tessa Dare
How to Engage an Earl by Kathryn Caskie
Sin and Scandal in England by Melody Thomas
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